Indianola Ave, Clintonville (614) 725-2488 info@urbanacupuncturecenter.org

Water Lily Reflections

A new exhibition of artwork by Jonathan Juravich’s first grade students at Liberty Tree Elementary School is on display at the Clintonville location.

 

French Impressionistic painter Claude Monet loved painting water lilies and the Japanese bridge that crossed this pond.  He painted with a style that was loose, expressive, and gave the impression of floating flowers…not a photo-realistic view.

Peter Max is a contemporary artist who works with layers of paint, oil pastels, and other mixed-media to create works of art.  Max often produces images that are based upon famous works of art.  He says that he is not out to “fix” a beloved image, but to honor the artist and put his own spin on the painting!

First grade students worked like Peter Max as they paid homage to the famous painter Claude Monet.  They collaged photographs of water lily flowers on to photocopies of Monet’s paintings.  They then built up layers of marker, paint, and oil pastels to create images inspired by these two diverse artists.  Each completed image is as unique and expressive as the individual student artist.

Helen Yee exhibition


Helen received her Degree in Art at The Ohio Dominican College. Her major influences in the arts have been her father, and later in life, her art professor at Ohio Dominican, Mel Rozen.

 

“Professor Rozen inspired my love of abstract art in various mediums, mostly in acrylics, which inspired my desire to paint non-imitating realities or objects of nature.”

 

Her exhibition will continue through the end of June.

Quilt exhibition

New exhibition featuring quilts by Sara Deever January through February 2017

SARA DEEVER

SANE QUILTS FOR A CRAZY WORLD
ARTIST STATEMENT

I stitch for self-expression and therapy. I love to play with color, stitches, line,
and texture. When I sit and sew, I find great comfort and peace. Often insights will
come as the needle moves in and out in a slow meditative way.

My grandmother was an excellent embroiderer, who insisted that my sister and I
learn. I loved it and have continued; moving from stamped purchased designs to those
of my own creation. I discovered Mariska Karasz’s book ‘Adventures in Stitches’ in
1962. Later, in the 70’s, while making patches for jeans with a variety of sayings
on them, I decided to set myself a challenge: to see if the only text I stitched all
year could be scripture. It became a prayer process that I’ve continued and which
sustained me through my years as an urban high school teacher, when many of these
pieces were sewn.

For the crazy quilt pieces, I baste together interesting fabrics that may or may not
already have stitches on them. Then I embroider the edges together fastening them to
a muslin lining, binding the edge when I’m done. For the circles, I tightly sew the
fabric ground to a macramé ring and then stitch it. Sometimes I draw shapes or text
with chalk or pencil or air-erase pen. Sometimes I just stitch what feels right,
mostly working intuitively, playing with color, shape and stitch. As I begin, I may
or may not know what the saying or final design will be.

 

 

Fiber Exhibition

2-person show features fiber work by Kate Gorman and Gwen Surratt; show runs through December 2016.

 KATE GORMAN

 I am a visual storyteller. I love stories; I love telling stories through pictures. I work in fabric because of the tactile and textural qualities inherent in cloth, and I do narratives because the story is a natural starting point for me. My background is in illustration and literature. After working for many years as an illustrator-for-hire working in watercolor and pen-and-ink, I fell in love with textiles and began making contemporary narrative art quilts.

The pieces here incorporate both my appliqué technique, layering commercially printed and hand-dyed fabrics, and my more recent method of working; drawing with thickened dyes and hand-stitching on linen.  I love the immediacy of the appliqué work, but also the contemplative nature of the hand-drawn and stitched pieces.

When not in my studio, I work at the Goodwill Art Studio and Gallery, in Columbus, Ohio, creating art with adults with disabilities. I am also an Ohio Arts Council residency artist, traveling around the state sharing my love of narrative quilts with schoolchildren of all ages.

 

 

GWEN SURRATT

As a fiber artist I am drawn to color, shape, texture and line.  I look to the natural world for color, to architecture for shape and structure, and the beauty of calligraphy for linear inspiration.

The works on display are a small part of my journey of exploration in fabric and thread.  Hand stitching for me is like drawing or writing with needle and thread.  My canvas is cotton, wool, silk, linen or paper.  The sensual qualities of fabric, such as its texture and drape, feed my vision of what I want to create.  Hand stitching, making marks with thread, grows into a grid-like design, with each little cell-like shape connecting to the next.

My work is meditative and at times feels like I am writing my own language with thread, stitching my own stories.

 

 

Print Exhibition

Natalie Hess – Artist Statement


By day I work as a graphic designer, and many times that skill-set flows over into my painting and printmaking through text or layout. This body of work, however,
focuses on more abstract themes. I rarely had a subject in mind when creating these pieces. Rather, this work was driven by process and detail.
 
I love learning new techniques, but my main goal isn’t to master a particular style. Learning the style and then changing it or pushing it to be my own is what drives my
art. Bold, rich colors draw me in, and I tend to work with such colors often. Details in my art include subtle lines and added pieces, such as embroidery. I enjoy
being able to look at a piece as a whole, but then get closer and see the intricate lines and strategically placed details. For me, this adds another layer to the piece.